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・ Ann O'Connell
・ Ann O'Connor Alabaster
・ Ann O'Donnell
・ Ann O'Leary
・ Ann Oakley
・ Ann of the Airlanes
・ Ann of the Angels Monteagudo
・ Ann Olivarius
・ Ann Ollestad
・ Ann Ormonde
・ Ann Osgerby
・ Ann Packer
・ Ann Packer (author)
・ Ann Paludan
・ Ann Pamela Cunningham
Ann Pancake
・ Ann Park
・ Ann Parker
・ Ann Parker (writer)
・ Ann Parker Bowles
・ Ann Pasternak Slater
・ Ann Patchett
・ Ann Paton, Lady Paton
・ Ann Patrice McDonough
・ Ann Peebles
・ Ann Peel
・ Ann Pellegreno
・ Ann Penelope Marston
・ Ann Pennington
・ Ann Pennington (actress)


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Ann Pancake : ウィキペディア英語版
Ann Pancake
Ann Pancake is an American fiction writer and essayist. She has published short stories and essays describing the people and atmosphere of Appalachia, often from the first-person perspective of those living there. While fictional, her short stories contribute to an understanding of poverty in the 20th century, as well as the historical roots of American and rural poverty.
==The context of her work==
Many of Pancake's characters make their home in rural West Virginia. This includes the Potomac Highlands and areas in the southern part of the state. For example, her story ''Wappatomaka'' describes the Trough region of the Highlands, where severe flooding on the Potomac River often occurs.
Poverty can be reflected in violence, and in her stories Pancake addresses both the Vietnam War and domestic abuse. ''Dirt'' chronicles a family's reflection of a son taught to burrow shafts in the Vietnam War, and the entrapment and dread that this environment echoes for them at home. In ''Jolo'', a boy's neglect by his family is literally seared into his skin in a trailer fire.
Pancake's characters live in opposition to mainstream American society, often without conscious choice. Others revel in their outsider status and maintain a connection to nature that resists societal pressures. Her title character in the story ''Jolo'' is wanted by police investigating a series of arsons. While the boy is a fugitive he agrees to secretly meet with a local girl, Connie, in a remote location on the banks of a river. The river serves as a reminder of Jolo's untamed nature and his preference for the wilderness over village life. At the same time, Connie sees how cut off he is from the rural society both of them were born into. This is a virtue of physical deformities he has suffered, but also because of the comparative economic poverty of his upbringing.
While some critics have chosen to place Pancake firmly in the tradition of Appalachian writing,〔Judd, Elizabeth. Books in Brief: Given Ground. New York Times, August 12, 2001.〕 her stories describe more than regional color, history, and concerns. The subtext of much of her work is the separation of individuals from the rest of society, often in cycles of poverty. Early motherhood, hunger, and alienation from mainstream economies are manifest in stories such as ''Ghostless'' and ''Tall Grass''. The sharply divided interests of urban and rural Americans and the powerful determinant of social class is manifest in ''Bait'' and "Redneck Boys" where the death toll of rural highways is both the cause of nonchalance and horror.

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